Nosferatu: A Symphony of Horror 1922 Movie Review

Nosferatu: A Symphony of Horror 1922
Nosferatu: A Symphony of Horror 1922

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Nosferatu: A Symphony of Horror 1922 Movie Review

INSTRUCTIONS:

In no more than a page or two answer the following questions.  Please include proper MLA formatting rules and use Standard American English ( write in complete, well-crafted  sentences). Incorporate the questions into your answers.  Do not simply list the numbers and write the answers.

1. Why is this film Nosferatu: A Symphony of Horror 1922 important to film history?

2. What are five camera angles (based on the my lecture notes/ and illustrated ) used in the film and record the time code where each shot occurs in the film?

3. How does the director distinguish day from night in the film?

4. What are three current (within the last five years) horror films that borrow from Nosferatu in terms of cinematography and describe how  that occurs?

5. What is the three sentence pitch for this film (write a unique and original three-sentence pitch)?

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Horror Cinema and Politics of Gender

Horror Cinema and Politics of Gender
Horror Cinema and Politics of Gender

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Horror Cinema and Politics of Gender: A Form of Cultural Problem Solving Movie Review

INSTRUCTIONS:

In her essay, “Film Bodies: Gender, Genre, Excess,” Linda Williams argues that horror cinema, among other body genres, functions as a form of “cultural problem-solving.” She writes, “genres thrive, after all, on the persistence of the problems they address; but genres also thrive also in their ability to recast the nature of these problems”.

Using Halloween(1978), Get Out(2017), or Parasite(2019), discuss the relationship between horror cinema and the politics of race, gender, and/or class. In your answer, you should use Williams’s comment as your guide: What is the cultural or political problem posed by the film? How does it recast the nature of those problems, especially through excess or violence? In addition to Williams’s essay, you may also draw on any other readings from our horror unit. Outside materials (e.g., film criticism, critical essays, etc) are not permitted.

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